Patrick Timothy Mullikin

37 years of solid, varied, sometimes bizarre, but never boring experience in writing, editing, photography, graphic design, advertising, marketing, public relations and events planning
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1970s: Poems and Lyrics

 

"But Charlie, Charlie.

How can we ever really know anything?

Charlie, what or who is God?"

-- Edgar Bergan 


 

 
 


 

I wrote these pieces in Japan when I was in my late twenties. Mostly sappy, melancholy, derivative, hokey, cranky, sexist and vulgar at times, there are, nevertheless, a few choice lines and phrases that have stood the test of time (The sound of roaring laughter’s/ Sealed tight in a steamer trunk / High among warehouse rafters), though many of the subjects are hopelessly outdated: Johnny Weissmuller, Edgar Bergen, Emmett Kelly and the movie, “Close Encounters of the Third Kind.”

 

But, hey. You can’t unwrite what you’ve written.

 


 

Was Graduated

 

We sat and talked over cocktails

Of dearly-departed high-school days

Then drove all the way home

When no questions were left to raise

 

Our stories are far too familiar

The cases commonplace and quite plain

We pledged allegiance to the flag

Answered nervously when they called our name

 

Mister Voted Most Likely To Succeed

Works the counter, cooks up French fries

Miss sweet ’69 prom queen

Makes a livin’ ’twixt her sweet thighs

 

Jock Tri-County-Wide track star’s

up in Soledad, a convicted child molester

Weird pimply four-eyed science creep’s

Making do as a test-tube tester

 

Ms. radical flat-chested hippie girl’s

Selling bug spray, retail, at K-Mart

Quiet library-assistant nobody

Read the lines but still missed the part

 

The math freak, slide rule awry

runs the tote board, Hollywood Park

Miss head cheerleader, 40D

Dances nightly, grinds naked in the dark

 

Some got drunk and some wept

Cried: please, keep in touch — you must

Others said nothing, sat cold sober

Senior-class rings now tainted with rust

 

Callow dreams of days forlorn

Hung like sails on a broken mast

In ten short real-world years

The die’d been set and cast

 

Still they promised in ten years’ time

To get back together and repeat the rhyme

 

Date Unknown

 


 

Scenic Cruiser (One-Way Fare)

 

This trip’s a long one

Mind if I ride with you?

Your expression’s disturbing

For I feel it, too

 

She sat down and sighed

Said, Karen’s the name

from Saluda, Virginia,

Now living in shame

 

Midwest City. Change of bus. Take your bags

Twenty minutes. Not one more. Can’t wait

Grab a cup. Take a leak, if you need to

Buy a cushion, bag o’ taffy. Don’t be late

 

Old man was a bum

Locked up, good and sound

I’m a vagabond queen

Lookin’ to get crowned

 

Where you headed to, Pops,

Up north, or out west?

You buyin’ or tradin’

Or givin’ the best?

 

Tickets please. Single line. Watch your step

Aisle seat. In the back. Derelicts

In the john makin’ love, snortin’ coke

Greyhound sex. Occupied. Mobile fix

 

I’ve got to be goin’

Great trip, but so long

Our meeting’s been right

But the timing’s all wrong

 

My time’s far too precious.

To pause for a rest

My direction’s straightforward

North, south, east, west

 

Midwest City. Change of bus. Take your bags

Twenty minutes. Not one more. Can’t wait

Grab a cup. Take a leak, if you need to

All-night coach. Sticky seats. Drifter’s fate

 

Date Unknown

 


 

A Regular Man’s Haircut (With All The Trimmin’s)

 

So tell me there son

Do you play varsity?

I, too, was once young

Self-assured, quite carefree

 

Well, back in my time

We real men fought real wars

And drank ’til it hurt

Loved only by whores

 

I guess you might say

I did my fair share

Tilt your head back a bit:

You’ve an unruly hair

 

Got a gal?  Don’t be shy

Sally? Thelma? How ’bout Kay?

Ruby lips? Pearly whites?

Does she go all the way?

 

I ’member this one dame

Back in Paris, ’forty-two

We’d dance long past

God them French loved to screw.

 

By the way, what’s this ‘style?’

Said you wanted it cut                  

Thin the top? Square the back?

She’d the sweetest little butt

 

Quarterback? Maybe tackle?

Speak up. Tell me, please

Is she cute? Is she easy?

Does she do it or just tease?

 

Don’t get smart!  Only askin’

What’s with you? Come, please explain

Heck, I’ll tell you. Name was Jenny

Young farm girl from Alsace Lorraine

 

What’s the hurry? I ain’t finished

Still early. Wait, let’s talk some more

Lucky Tiger? or some Butch Wax?

This country could sure use a war

 

Quarterback?  Maybe tackle?

Is she cute? Does she go all the way?

Here’s your change: two small bits

Stop back when you’ve got more to say

 

Date Unknown

 


 

Pinheads

 

Restaurant swarmed with business; Connie dropped a plate

Union went on strike; Bobby worked real late

Come Tuesday, as was usual, they both soon forgot

As their sixty-two Rambler hit the parking lot

 

Connie and Bob went bowling last night

It helped cool ’em off. They'd had a big fight

Things were getting’ rough. and they'd lots of troubles

But those things were forgotten over mixed doubles

 

Bob was a foreman. Connie worked at Denny's

His suits came from Sears, her skirts a la Penny’s

Married ten years, owned their own home

Connie bowled one-fifty, Bob guzzled foam

 

Once a week they formed a special kind of league

Of middle class nobodies: their handicap, fatigue

Connie in black stretch pants, hair red with dye

Bob in a Ban-Lon shirt and turquoise bolo tie

 

They laughed, drank beer, and racked their once-a-week brains

Some forgot, some spitefully, to alternate lanes

Connie and Bob went bowling, some folks said,

She, in a Ban-Lon shirt, and he, with hair dyed red

 

Date Unknown

 


     

Why Wyoming?

(Cranky response to Close Encounters of the Third Kind)

 

Take a rest all you dreamers

It was all in good fun

An intergalactic joke

The little green men

With the swollen bald heads

Drink coffee and break for a smoke

 

Got news for you hopefuls,

You non-reality buffs

Those spaceships are cardboard and filled

With middle-aged ‘would-bes’

Some starving, some not

Fran the veteran actors' guild

 

Well, I've had it. Disgusted!

Don't want to hear it anymore.

Knock it off! Had enough,

Of posters, t-shirts, junk galore

 

Skies don't hum. Forget it!

No flashin’ lights hoverin' 'bove my head

No close ones. Not any

The heavens are quiet when I lie in bed

 

Too much talk. Let's face it

The chances are few and far between

My truck don't stall. She runs great

Only saucers I see are white with cream

 

Earth's a swell place. Why mock it?

Job’s goin’ great and life’s a champ

Quit your searchin’. Ain't American

That glare's from a plain street lamp

 

Lord, I'm pooped. Gonna quit now

Head on down to the all-night bars

Other folks wonder. Not me

No time for worryin’ about damn stars

 

How much longer, five years

'Til you hook up on something more profound?

Hell, I warned you. Didn't listen

Nothing's left.  Your bandwagon's run aground

 

Date Unknown

 


 

Twenty Words Per Minute

 

What's your beef, Chesty?

Relax, no use getting’ testy.

Well-endowed, young, firm, zesty.

Unbutton your blouse and you're hired.

 

Shorthand's an asset, no doubt.

Come, sit on my lap; don’t pout.

My office is soundproof. Why shout?

We’ll talk about salaries later.

 

Kelly Girl’s stock is really much fresher.

Sharpen pencils, take dictation, answer phones under pressure.

Make appointments, make time, make love, Lord bless ’er.

Don't cry; day’s short, and I’m quick.

 

Effie was asthmatic:  come noon she woulld wheeze

Honey’d mastered typing: she knew all her keys.

Sophie worked the intercom: and ran it with ease.

But, Chesty, they’d little else to offer.

 

Girls blossom, soon ripen, fade fast.

Tight sweaters, loose morals, dark past.

Lay down my big-breasted lass.

Life’s faster than you’d believe.

 

What's your beef, Chesty?

Relax, no use getting’ testy.

Well-endowed, young, firm, zesty.

Unbutton your blouse and you’re hired.

 

Date Unknown

 


  

Damnation of the Funny Man      

 

Destined to fire off

shopworn one-liners

In Hell’s auditorium

Of disgruntled Shriners

 

November 9, 1979

 


 

Midwestern Love Story

 

Sue ran the concession

At an adult-movie house

Sold perverts stale candy

If they stared at her blouse

 

Cal worked in Detroit

Cooked his own meals

Made a fair livin'

Slappin’ hubcaps on wheels

 

When things turned sour

They went separate ways

He, feeling guilty

She, in a teary haze

 

Sue left for Milwuakee

To stay with her sister

Cal moved outside Lansing

And hardly ever missed her

 

One morning near Grand Rapids

At a local greasy spoon

They ate doughnuts dunked in coffee

And talked 'til way past noon

 

The meeting had been pleasant

It felt good for a while

They went separate ways again

But this time with a smile

 

Apart they got to thinking

Just how things might have been
Cal's assembly line of shiny chrome

Sue's screen of naked skin

 

October 30, 1979

 


 

A Hayseed’s Heyday

 

A swell life indeed this military

My intention's patriotic, not  mercenary

Ain’t necessary to think

Say: “Yes, sir,” salute, blink

A swell life, indeed, this military

 

 

October 25, 1979

 


 

Making Three-Quarter Time

 

Dusty in the corner

Victrola plays sweet waltz

Boxes filled to brimming

Timeless Austrian schmaltz

 

Candi shakes her booty

Gregg can woo the girls

With dance floor-based gyrations

Wild leaps, dazzling whirls

 

Karl von S. wore pince-nez

Anna K.’ status wall-defined

To a dance she agreed, decorously, 

Her steps were clearly refined

 

He smoothes his smart coiffure

Checks her out from across the room.

She dabs on glitter makeup

Smiles wanly at the tune

 

Two couples of romantics

Dancing long into the night

The bands play all their favorites

Musik fur alle Zeit

 

Fell in love on the dance floor

To a song by Johann Strauss

Wearing chic leather britches

And fashionable see-through blouse

 

Bass drum pounds the tempo:

Steady, heady four/four time

Motions too deliberate

For pleasure so supine

 

Violins soar high above

This late-night stuffed-shirt bliss

Arm gently 'round her waistline

And stole a proper kiss

 

Tonight it's far too simple

Do the Bump, act real frantic

Victrola plays sweet waltz, though,

For those hopelessly romantic

 

October 11, 1979

 


 

J. C.’s Winning Hand        

 

Jesus is a-comin’

I finally saw the light

He flew down just to see me

And asked to spend the night

 

He told me all the answers

And offered some new clues

I trimmed his golden whiskers

And shined his holy shoes

 

We talked about the bad folks

The whores and chronic sinners

We played a hand of poker

And fixed some TV dinners

 

I showed him my old snapshots

Of friends alive and dead

He sipped at Mogen David

Looked square at me and said:

 

“Life is rather boring

In my sweet celestial abode

I’ll give you immortality

If you’ll help me with the load

 

Here’s the offer, mister,

Your denims for my gown

A sofa for my splintered cross

A Stetson for my crown”

 

Next morning when I woke up

With a wink of his God’s eye

He said “So long pious sucker”

And hurled me to the sky

 

Yes, Jesus is a-comin’

Christ, I found it out too late

He flew down just to see me

And set the record straight

 

July 30, 1979

 


 

Calliope's Lament  (for Emmett Kelley)

  

There's a wreath on the big top

"No show tonight," a barker cried

"Weary Willie's quit for good

This morning he up and died"

 

Lion tamer cracked a rib

Human cannonball burnt his fuse

Siamese twins wept in harmony

When they heard the sad sad news

 

The ringmaster's eulogy

Hit  home, scared one and all

The fat lady winced

The magician cast a pall

 

Sideshow freaks knelt,

Heads bowed in reverence

Elephants practiced headstands

Inside big training tents

 

No antics tonight

The sound of roaring laughter's

Sealed tight in a steamer trunk

High among warehouse rafters

 

Fellow clowns read a prayer

Looked up and said, "Thanks"

(It was he, and not them)

And continued with their pranks

 

June 20, 1979

 


  

All In One Breath  

    

At the Motion Picture Country Home

Lives Johnny, ex-Olympic swimmer

His face glows brightly now

While the machinery grows steadily dimmer

 

He beats a jungle rhythm

From an upturned bedpan

The attendants squirt injections

To soothe the wild man

 

The ape man’s gone ape!

And snapped a vine

Eats mashed taro root

Drinks day-old wine

 

"Me Cheeta! Me Jane!

Who Johnny? My name?!?

Me ride big elephant

Me friend of all game"

 

Had a birthday, seventy-fifth

Jane was there; Cheeta, too

Boy'd made prior plans,

Chief U’Gumbo had the flu

 

He warned the cracked mirror:

"Me Tarzan! You fake!"

His real-life wife and daughter

Sat silent, nibbling cake

 

In a well-used straitjacket

Tailor-made, leopard skin,

He blew out the candles

Shouted obscenities at his kin

 

After visitors’ hours had ended

(And wife and daughter'd said, "bye-bye")

His animal friends changed the linen

As he gave the jungle cry

 

June 7, 1979

 


 

Pass The Lysol, Morpheus

 

Garbage sits

Piled high, aromatic

Old coffee grounds

For divorce

Whiskers

Stiff as steel wool

Feel like Hell

Why worry?

Take a snooze

Week-old newspaper

Covers the eyes

Of bruised potatoes

Cigarette butts fill

Empty wine bottles

Piled high, aromatic

 

 


 

You can be sure

 

Gather ’round me laddies for a tale strange but true

In ’72 down North Carolina way

A man some called “jovial,” others “likable and nice,”

Stuffed his sweet wife, Julie, away

 

Each month came the checks, but Mr. Cline lived not there

Up north to Canada he did go

But the body of his betrothed, fair Julie, did lie

In a freezer, asleep in the snow

 

When daughter did ask: “Oh, dad, how’s dear mom?”

“Not well. In a nut house,” he’d reply

Julie’s friends, they confessed, new little or naught

Of Mrs. Cline’s condition: cold, stoic and wry

 

Arthur Cline, some did say, managed a plant

To make money to pay for the rent

Of his darling beloved’s icy retreat

But one month no lucre was sent

 

Mr. Landlord he knocked; no answer did come

Key turned, he entered and said:

“Look, tables and books and lamps and rugs

But no Julie with hair of deep red”

 

In the kitchen there sat white, enameled and clean

A late-model compact Westinghouse

The lid he did open, with a cry he exclaimed:

“Sweet Julie! There's frost on you blouse!”

 

Downtown he did run to the Sheriff’s and said:

“Mrs. Cline, she’s as stiff as a board!”

Don't worry Mr. L.  We’ll be right over there”

Far above the vultures they soared

 

Mr. Cline, it is said, came down just last week

To visit young daughter, Mrs. Boyd

At the Dulles that day federal agents waited for him

Mr. Sheriff: tired, restless, annoyed

 

“Mr. Cline, if you will, please step over here

We’ve some questions we’d like to expound

Seems your dear red-haired wife’s as blue as the moon

And found nestled amongst the ground round”

 

Mr. Cline did not blink, nor stammer or faint

But with cool poise stood firm, did not run

Said: “Sheriff, my boy, I’m an old, tired man

Just lookin’ to have me some fun”

 

The Sheriff he stopped, scratched his chin and then thought:

“Perhaps this old codger’ not bad”

Young daughter, Mrs. Boyd, with luggage in hand, said:

“Daddy, you mean mommy’s not mad?”

 

“Oh, no. Quite contraire. She’s as sane as can be

Her mind’s as sharp as a knife

But ne’er again will she walk on the moor

She’s chosen a more sedentary life”

 

The Sheriff, the daughter and Mr. Cline, too

Drank coffee and told dirty jokes

As nighttime approached the party broke up

Said Sheriff: “You’re really swell folks”

 

Mrs. Cline, it is said, at the Coroner’s office

Lay smartly on the dissecting table

“Two days ’fore she thaws,” said examiner Bill

To her feet he attached a small label

 

The father and daughter went dancing that night;

The Sheriff was sad, full of strife

He was married unhappily to a scolding old wench

Mrs. Sheriff, his corpulent wife

 

And into his car to Sear’s they did go

“New appliances”" he thought, “should please the old louse”

 Mr. Sheriff he smiled while his wife bitched and said:

“We’ll take this new frost-free Westinghouse”

 

In ’78, I’m told, Mrs. Sheriff, “Ol’ Lil,

In curlers and bathrobe of red

Lies sleeping quite sound, no bitching or such

Mr. Sheriff content and well-fed.

 

October 27, 1978

 

 


      

Patrick Timothy Mullikin
1274 N. College Ave.
Claremont, CA 91711